Art In Common Places

I am super excited to be working on a project collaborating with a poet, Don McLagan, who also happens to be a friend. We are collaborating on a piece for the Art in Common Places initiative. Don’s poem and a photo of my artwork will be printed on a poster and put around town in places where you would not normally expect to find fine art. The goal here is to introduce creativity and art in places where people may not have the chance to get in front of things like this. 

Don and I have enjoyed Wednesday morning FaceTime calls working through the possibilities and ideas that could bring our work together meaningfully. I can’t wait to see the results!!



More To Come!

Very excited to be part of this amazing exhibit! At Mara Gallery in Sarasota, there will be 16 artifacts and 16 artists who have been inspired by them to create modern day versions.

Stay tuned for the big reveal!

Art sales benefit Halo Arts Project Fellowship Awards. Halo Arts Project, Inc is a public charitable 501 c 3 organization.

Tickets can be purchased at: https://haloartsproject.com/event/justified-ancient/#tickets


Slaving away in the studio ;-D


As you can see, slaving away is really not an exaggeration! I am working with 50 squares of cast resin with interesting objects and better than them. The stones form a pair of spirals whose center is a separately cast resin piece with very interesting interiors!

The slaving away part of this really comes from having to do whatever I do to one Square, I have to do to all 50 squares! Because this is not my first rodeo, as I am encountering things that I can make jigs for, I am setting myself up with a set of tools to work with this 50 square mold so that at least all my figuring out will not be for naught😆

The biggest challenge I faced, was trying to figure out how to ensure that every single square was positioned both at the same exact height, because in this piece, I would like them all at the same height. There will be other pieces where I play with varying heights, but not this one.

This piece they need to be exact, and I have constructed strips of pvc with Teflon tape on top that will slide underneath these squares, while I am gluing them into their drilled holes on the background, and keep them exactly the same distance apart from the background. The idea is that once the glue is set, and they are all properly placed, I will be able to slide these five strips out, and all will be well!

The photo with the T squares, and the red marker lines on the background is the layout on the final backing piece for the placement of each of these squares. I have placed frisket paper, which is a low tack clear acetate sheet over the PVC background so I can draw on it and keep it protected. I will also be able to mark the drill hole positions on this, drill the holes and then remove the frisket paper so that I can place the squares properly🤞🤞🤞

Check back for the finished product, I have also figured out a wonderful hanging system that is secure and allows the piece to float an inch and a half away from the back wall where it’s mounted. I haven’t decided yet if I’d like to put some back lights on it so that there will be a soft glow around the edge.


Been a while…

yes, it has been a while! Lots going on in the studio: several 3D wall pieces in the works, one has a home already! I’m experimenting with metal finishes and patinas over PVC - light weight and dimensional. Also working on cutting 12” steel hemispheres into what appears to be alien artifacts - basically seeing what I can do with my plasma cutter and an open mind.


And, of course, I continue to do custom designed pieces for those hard to find spots! The sunset piece incorporates driftwood  with welded, painted steel.


The Gift Of Time - Part 2

This piece is titled “Disrupt The Flow”. Total dimensions are 24” sq, each cube is 1”sq.

In this piece you can actually slide the center column of cubes sideways on clear Perlon cords (like giant fish line) to change the “flow”.

Most of the pieces that I have done in the cube series have some element of interaction with them so that people can actually physically change a piece that is in front of them. Currently the exception to this would be “Mounting Perspective“ which allows the viewer to realize the different views as they walk by the piece.

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